#COMPELLING INTIMACY IN A STORY

[lambentskies]

stares off

guess what dumb bitch has decided they're in love with the weird-horror and emotional, intimate bond between a man and his monster that is the malevolent podcast.

Will I post it? Maybe. Arthur is a stubborn bean to figure out how to write in a way I'm happy with. (So of course I'm writing something 90% in his perspective.)

One day I will go back to that Azem chapter fic; one day I will go back to Wynnifred's story; one day I will post any of my complete BG3 short fics... but right now I'm just gonna. Continue my relisten of Malevolent and indulge the fixation and my deep and boundless love of weird-horror. Like if I ever had to answer "what is your favourite brand of horror, random bird?" or some similar question, it would absolutely be the unknowable and indescribable strangeness of a horror we cannot comprehend in the vein of the Lovecraft mythos, and I would probably do the goofy ass hoppy dance caiques do while answering.

Also I fell asleep last night listening to a reading of The Repairer of Reputations while (barely) high and it gave me weird impossible-geography-related dreams. It was great.

[taz-writes]

here's a hot take for today

the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical

no i will not explain

[captain039]

He’s Grumpy, I’m sunshine

Alpha!Logan x omega!reader

Warnings: AOB, age gap (legal), light swearing, grumpy/sunshine, anxiety, mental health issues, intimacy, violence, torture, plus size reader, medication usage for anxiety, depression and sleeping, heat pills, scent blockers

Set at Charles school

Your mutation: fire creation and control

I watched Deadpool and Wolverine and found my Wolverine cravings again xD

I’m in love with Hugh Jackman again

This school was your life now, having gone too many nights in a fire proof basement for your ‘out of control spells’ as your father put it. You didn’t have a bad childhood, rich parents each working hard to make their living, sending you to a nice school, college even till you set everything on fire.

You were staying at the college, it was your first month and everything seemed to be going well, your new room mate was nice a beta woman and classes were easy so far. You had your own space some clubs you wanted to check out, new places to see if you ever got the energy. Right now it was study till you passed out, get up go to class, come right back and repeat. It was draining but you needed to get use to it, your mother would call mid week and message every other day. Your father would say a brief hello on the calls but that’s all you’d hear from him, not that you minded. You kept your mutation hidden even if sometimes you felt yourself running a little hotter than usual, sometimes small flames would jump off your skin and you’d stop whatever you were doing, put some music on and focus on the moment. It was the third week, your roommate had invited you to party, you didn’t want to go, but your therapist did say to ‘get out more’ as she put it. So you went, stuck by your roommates side for most of the night till she got pulled away by some guy and they left. You were about to leave when someone approached, another girl in your class, an alpha, you’d forgotten her name but she handed you a drink with a bright smile, sat down with you and talked. It felt nice to laugh about whatever crazy story she was telling, she lived in the country, way out in the country living off home grown vegetables and herding cows. You checked your phone once your drink was gone finding it late so you excused yourself and went back to your room. You found your roommate passed out in her bed and shrugged feeling your head spinning a little, that drink definitely had alcohol in it. You laid down after forcing your jeans and bra off before curling up in and sighing. You awoke to the smell smoke and burning, you shot up, your room on fire, your roommate screaming as flames engulfed her. Your body was on fire also, the flames coming out of you. You tried to stop them tried to reel them in but you had no control, your panic worsened your anxiety worsened and the fire worsened. You heard sirens, shouting and chatter, but all you could do was stand by your roommates bed seeing her charred body. The fire brigade couldn’t stop your fire and you couldn’t cry.

“You’re alright” you frowned looking around seeing no one, but a males voice filled your head.

“Walk outside, we’ll handle the rest” you felt compelled to listen, you walked through the burning hall and outside as the voice said.

“Storm” a man called and you frowned. The world around you stopped, everything frozen but you and the group in front of you. Heavy rain poured down helping stop the flames on the building.

“I can stop this, I’m going to calm your mind, it will feel strange though” the voice said.

It did feel strange your body calming your heart slowing, the flames subsiding, just you, naked in the middle of the campus entrance.

“Jean” the older man in the wheel chair said as you quickly hid your body as the woman came over and wrapped a blanket around you. You thanked her softly shivering but not from the cold.

“Come, let’s get you some place safe” the older man said.

That’s how you met Professor Charles Xavier, Storm or Ororo and Jean grey that day. They said they found you by one of Professor Xavier’s machines he uses. Now you stay here in a fireproof room, with no one else in it, continuing your studies and nobody knew the cause of the fire. The nightmares still haunt you though, your roommates scream, she was such a lovely girl. You found out later that something had been in your drink spiked, majority of the other students just passed out for a day while it turned your powers hay wire and burnt quarter of the college down. You avoided most people, happy in your solitude and avoiding your powers. This school was full of different mutants, still some alpha douche bags around your age but it was a lot less intense and easier. Every time Professor Xavier would ask you to train your power you’d decline quickly and say you were fine with your studies. To be truthful you hated your power, hated the destruction it caused even if majority of these kids had tragic back stories too. You connected with most of the teachers, Jean more so though, Ororo was probably your second, but Jean was an alpha and reminded you of your mother somehow, so you subtly clung to her, made an attachment as your old therapist would call it. Sometimes though you’d catch whiff of another alpha on her, not Scott, Scott was a beta, nor another teacher, it was a strong intense scent you couldn’t pinpoint the smell, Whiskey was one of them, leather it would fade with Jeans scent of Grapefruit and spice.

You were going to see Jean seeing as she was one of the doctors there for some more anti-heat medication, you really wish they would come up with a stupid medical name for the stuff so you didn’t have to say it, even if you were a grown adult. You didn’t knock, figured she knows already with her mutation. What you didn’t expect was to be slapped in the face by a new scent. Slapped in the face was a little excessive, it felt like that though, you stopped in the door way stared at the alpha in the room and forgot how to breathe. Jesus Christ.

You stuttered pointing out the door cursing yourself as Jean smiled a bit.

“I didn’t know someone was here- I’ll um-“ your eyes finally left the male alpha, wondering who he was and wondering why the hell your legs were struggling to hold you up. You almost purred and bared your neck like some cat in heat.

“He was just leaving” Jean gave the male alpha a stern look and he sighed uncrossing his arms and walking to you. You forgot all manners and normal human function as he approached.

“Can I get past you Bub?” He asked voice rough and you slapped yourself mentally.

“Yes sorry, uh bye?” You moved out the way saying goodbye even if you didn’t know him. You heard him chuckle lightly and swore your stomachs did flips.

“You ok there?” Jean asks and you snap out of whatever trance you were in.

“Yes, that was embarrassing, I’ve smelt him on you before it was weird putting scent to face” god help you, you shouldn’t have said that.

“That’s even more embarrassing, I literally hate myself right now” you hung your head and walked over to her desk and sat down.

“You’re alright, how can I help?” She chuckled lightly and you sighed nodding.

“I need more um, Anti-heat pills, maybe some more scent blockers” you mumbled the last part. Scent blockers blocked your scent and others, if he was only briefly staying then good, no more embarrassing malfunctions, but if he was, damn.

“Is he a teacher?” You ask.

“No, Logan is I guess you could say he’s the muscle here even if Charles doesn’t like the thought, Logan’s helped this school more than once, he’s just got back from a mission sometimes he helps trains” she explains as she types on her computer.

“Oh, that’s cool” you say feeling a little stupid as Jean heads over to the locked room in the corner.

“Need any updates on your other meds? You’re going ok? Do you wanna come off them?” She asks.

“No they’re fine, thank you though” you answer as she returns with a small bag and hands it to you.

“Charles asked again if you wanted to join training this Friday?” She asks sitting down again and you tense.

“Oh I’m ok, thank you though” you say and stand.

“I’ll let you get back to work” you smile and say a small goodbye before leaving. You sigh shoulders sagging a little. You’re definitely not going to train now if that alpha will be there.

Next part ->

[batmanisagatewaydrug]

You seem like an incredibly well read person, plus someone with a lot of insight into intimacy because of your work. So, in light of your romance book reviews, which are an absolute highlight on your patreon, do you have any insight into what is needed/suggested for a good romance novel?

g o d this is so fucking hard and also really fun to chew on. I want to preface this by saying this is ENTIRELY subjective and based completely on what I *PERSONALLY* find that I enjoy in a romance. this isn't, like, an objective guide on how to write a romance that doesn't suck. that doesn't exist because people like different things, and I'm speaking from one perspective.

also I should say that my preferred flavor of romance novel is solidly contemporary. I haven't read many historicals, certainly not enough to opine well on them, I don't do those mafia dark romances or whatever the fuck, and I've barely dabbled at all in any kind of fantasy romance, whether they're full high fantasy or witchy urban fantasy stories. (although I'm about to do one of the latter next month, you can vote for a book on my patreon rn!)

having gotten all of those caveats out of the way, here's some shit I like and dislike:

there are exceptions to this but broadly, I prefer a POV for everyone involved in the relationship. to me a romance where we're only seeing events from the POV of one member of the relationship automatically makes it seem like one person matters more in a dynamic where everyone should be of equal importance. also, god, if the plot's really going to hinge on not knowing what's going on in one partner's head suggests that miscommunication is going to be a pretty critical part of the plot, and I hate that shit. TALK TO EACH OTHER. I'LL KILL YOU.

on that note, there needs to be an actual compelling reason why the characters can't be together, okay? the #1 driving tension of every romance is "why the fuck can't they be together yet" and you BETTER have a good answer. whether it's interpersonal or external forces, if there's a very easy solution to what's keeping them apart then your characters look dumb and I'm bored. one of the most frustrating romances I've ever read involved two characters who were mutually attracted to each from the JUMP, who refused to act on it because they were coworkers (neither of them in any position of authority of the other, nothing unprofessional or inappropriate about it) and they were "only" living in the same state for A YEAR. A FULL YEAR !!! shut up. get a grip and kiss each other.

now, having said that: whatever your bullshit reason is for these two characters to be interacting with each other, you need to COMMIT to that shit so hard that I, the reader, will feel silly for even questioning the logic. the worst offender I've ever seen on this front is D'Vaughn and Kris Plan a Wedding, which pulls its protagonists together via a reality TV competition and then just... promptly loses any interest in really dealing with the actual realities of being filmed 24/7? it's insanely distracting how little the book engages with its central hook, and was a huge point deduction for me. whereas you have, like, The Bride Test, a book with a premise that skirts dangerously close to a little bit of human trafficking but embraces the whole premise so wholeheartedly that you completely forget about the potentially horrific elements in there. who cares that Esme was bribed here with the promise of a green card if she seduces a man she's never met? there's whimsy happening! we've moved on! it's literally fine and she's in no danger except the danger of a BROKEN HEART.

this one is going to seem SO obvious but like. I need them to be actually like each other. I'm not saying they can't be mutually bitchy while they grow to like each other or anything, they don't have to always be NICE to each other, but there are so many M/F romances where the dude is just flat out fucking MEAN and condescending to the girl until he decides he wants to fuck her. and sometimes even after that! stop it! after a certain point I don't want her to fuck him I want her to run him over a car!!!! there's suuuuch a line between "guy I butt heads and exchange banter with but could fuck if we just got to know each other" and "man who hates me and is for real fucking bullying me."

"kisses only," "doors closed," whatever term they use for a romance novel without any sex scenes on page, I don't like it. listen: I know that they're not everybody's cup of tea, and I FULLY recognize that a lot of romance novel sex scenes are unfathomably cringe. and yet, I need them. partly because they're funny, but also because if this book wants me to be invested in the developing relationship between two adults who are supposed to be WILDLY sexually attracted to each other, then I want to see the damn sex. no matter how many bad similes or unfortunate adjectives it entails. and if you're not going to show me the sex, don't you dare have the characters gushing about how great it is. I'll be the judge of that, thank you very much. (I'm looking at you, Sorry, Bro.)

related: there's this thing that I call "Horny Wolf Syndrome," which is derived from this tweet:

initially I used it to refer to when previously sweet-tempered male romance protags inexplicably started talking like horny wovles during sex scenes - "LET ME SEE YOUR PRETTY CUNT ON MY COCK" and the like - but now I more generally use it to refer to scenarios in which characters of any gender completely dispense with their established personality while they fuck in order to fulfill a more broadly appealing, one-size-fits-all sexual fantasy. I hate that shit; if your characters act like completely unrecognizable people during sex, you didn't write very strong characters. one of my favorite things about writing sex scenes is that it's so SO interesting to see how their the characters' personal quirks translate into a setting that's very different from most other contexts, and it's deeply disappointing when authors take the easy route in favor of some pornhub dialogue.

one of the things that actually won my most recent read, Raiders of the Lost Heart, a HUGE amount of points with me was how frank the female lead was about initiating sex for the first time. it was completely in character for her and felt really different than any other book I've read, and honestly? it was a breath of fresh air.

[hayatheauthor]

Blog Posts Masterlist

Here are all the blogs I've written sorted according to six categories and a lot of sub categories.

Post Writing (Publishing):

Querying/Getting Published

How To Get Published As A Minor—A Step-By-Step Guide

How To Get Out Of The Slush Pile And Make Your Agent Say Yes

How To Answer Some Common Literary Agent Questions

The Rejection Checklist: Manuscript Pitfalls to Avoid

Editing

Everything You Need To Know Before Editing Your Manuscript

How To Eliminate Passive Voice From Your Manuscript

Pre Writing:

WIP building

Ten Dos And Don'ts Of Worldbuilding

How To Name Your Characters

A Step-by-Step Guide to Crafting a Compelling Storyline

How to Pick The Perfect Weapon For Your Characters

Writing tools

How To Hook Your Readers With Your Chapter's Starting And Ending

How To Write And Create A Sub Plot

How To Immerse Your Readers With Indirect Characterisation

First or Third Person? How To Choose The Right POV for Your Story

Genre-Based Advice:

Fantasy

How To Build A Realistic Magic System

Things To Consider When Writing With Mythologies

Tips To Consider When Writing A Fantasy Religious Story

Horror/Thriller

How To Get Away With Murder...As An Author

How To Get Away With Murder Part Two: Writing Murder Mysteries

How To Build Tension And Make Your Readers Feel Scared

Romance

Crafting Asexual Romance: Navigating Emotional Intimacy in Fiction

Character-Based Advice:

How To Write An Antagonist

How To Create Realistic Book Characters

How To Write A Compelling Character Arc

How To Create A Morally Grey Character

How To Write A Plot Device Character

How To Develop A Memorable Antagonist

Writing Believable Teenage Characters: Dos and Don'ts

Crafting Character Voices And Distinct Dialogue

Crafting Authentic Child Characters: From Toddlers to Tweens

How To Create And Execute Unreliable Narrators

How To Write Immortal Characters in Fiction

Creatures/Monsters

How To Write Mythical Creatures Without Sounding Redundant

How To Write Vampires With An Original Twist

'Sensitive' character topics:

How To Write POC Characters Without Seeming Racist

How To Write A Disabled Character: Ten Dos And Don'ts

How To Write And Research Mental Illnesses

Resources And Advice For Writing Abusive Parents

Scene-Based Advice:

How To Build Tension And Make Your Readers Feel Scared

Four Tips On How To Make Your Plot Twist Work

How To Set The Scene Without Info Dumping

Writing A Creepy Setting: Tips And Examples

The Dos and Don'ts of Writing Flashbacks in Fiction

Crafting Realistic Car Accidents in Fiction: A Writer's Guide

Writing Rage: How To Make Your Characters Seem Angry

Crafting Sad Scenes: Writing Tears and Emotional Depth

Fights, poison, pain

How To Accurately Describe Pain In Writing

How To Create A Well-Written Fight Scene

The Ultimate Guide To Writing Persuasive Arguments

Forgining Epic Battles: Techniques For Writing Gripping War Scenes

The Writer's Guide to Authentic Wounds and Fatalities

Ink And Venom: A Writer’s Guide To Poisonous Prose

Everything You Need To Know About Writing Stab Wounds

Everything You Need to Know About Writing Burns

Everything You Need To Know About Writing Gunshot Wounds

Everything You Need To Know About Writing Bruises

Recommendations:

Websites And Writing Apps Every Author Needs in 2023

Seven Blogs You Need To Read As An Author

Ten Websites Every Author Should Know In 2024

Series

Writing Wounds

Writing Mythical Creatures With A Unique Twist

Writing Emotions

[kookiyu]

I love being pandered to but this difference between the manga and anime is why I sort of regard the anime as just being supplemental fanservice/a commercial for the manga rather than an adequate alternative for enjoying dungeon meshi.

There's this sense of awe and stunned surprise to Marcille's expression in the manga, like it doesn't feel real what's happening... and that is how she reacts! She pulls away from Falin because it takes her a moment to process what she's doing and the intensity of the moment gives her such a fright she can only recoil in shock. But anime Marcille is so expectant and hopeful in a like. "I can't believe this is finally happening" way that it kind of misses the point...

In the context of the series this moment is fundamentally tragic. The erotics of it are tied into the dread and anxiety surrounding it... Marcille has done something really dark and scary out of her love for Falin, and there's this mildly overbearing sense of unease hanging over everything even in reprieve. When Falin looms over her and half-shadows her face, it's a really strong visual metaphor and piece of foreshadowing for her role in the story. Falin is this larger than life figure and person of worship for Marcille, she thrives in memories and stories, and when we finally see her interact with the cast tangibly and in the present she's shown to also be physically and emotionally overwhelming to be around. The lengths Marcille has already gone to to save her are pretty extreme, but it's only a fraction of what she'll inevitably resort to.

Smarter people than me have pointed it out, but love is a value-neutral emotion in Dungeon Meshi. There's no inherent goodness to love; it's the reason Thistle created the dungeon, it's the reason the demon grants wishes for humanity. This isn't the only instance of sexuality in Dungeon Meshi, but it's probably the most overt example of it barring the succubi chapter (which is largely played for laughs but is also a great chapter for characterization, because Ryoko Kui loves character writing so much.) The eroticism is employed really deliberately here in contrast to everything that comes before or after because Kui wants us to feel, along with Marcille, just how intensely Falin makes her feel. The totally unbarred physical intimacy and vulnerability is extremely potent! It's unlike any other relationship in the entire series! And it's just another seed Falin plants in Marcille that compels an intense response from her. The manga is (by nature of the medium) extremely intentional in its visuals, and that's why this scene hits so hard... But the anime forgoes a lot of that added visual meaning in exchange for a softer, warmer moment that doesn't carry nearly the same weight or nuance.

Another episode that should have hit like a truck but just sort of fell flat when it mattered

[color-beyond-lines]

I have been thinking about the shifting dynamic between Qian and Yuan all week. A ton of people have written really insightful posts about these two, and I can’t get them off my mind.

I’ve said it before, and I’ll say it again and again: the tragic backstory is not used as a shock factor or just to make you sympathetic towards a character. It is ingrained into Qian and Yuan’s thoughts, behaviors, actions, and responses. And it contributes to their compelling relationship.

Qian is hesitant around intimacy of any kind. Yuan is eager to care for the person who saved him.

We’ve seen from the beginning how much of a caretaker Yuan is for Qian. The vast majority of intimate physical contact Qian accepts is from Yuan (and by intimate I don’t mean romantic. I mean familiar, personal, etc.).

Qian rarely ventures beyond surface level relationships with people. His experiences growing up left him in a constant state of survival. He focuses on work as a means of survival and doesn’t consider slowing down as an option.

We see this at work, where he is often separated from his coworkers and rarely interacting with them outside of a professional capacity. He often stays late and arrives early at the expense of his own wellbeing.

It’s Yuan who bridges the gap. Who asks coworkers to take care of his brother. Who makes Qian sleep and eat right. Who is there at work and at home ensuring that Qian won’t overwork and exhaust himself.

But their relationship is not one-sided. Qian takes care of Yuan as well, making sure he’s able to take advantage of academic opportunities and clubs and things that Qian never had a chance to partake in. He gives Yuan a life where survival is a guarantee, not something to earn.

Qian protects Yuan through hard work. Yuan protects Qian through tender care.

When Yuan is sent away to study abroad, the time skip works because it isn’t used at the very end of the series to jump to happily ever after. Too often, time skips force us to miss important character growth and leave us unsatisfied and wanting more. By placing the time skip towards the middle of the series and using it as an actual part of the story and character development, we are able to see how Qian and Yuan live during the separation and the impact it has on their relationship.

And their reunion is more than one scene before the credits roll. There’s still many episodes for them to keep learning and growing together.

Once Yuan returns, the line between them has shifted. Qian actively seeks out Yuan’s care in a way he never did before. He’s always watching Yuan, reaching out for him, and aware of his presence. He had always welcomed it, but the separation forced him to feel what the absence of Yuan’s care was like. He was miserable.

Yuan matured on his own and still knows that he loves Qian. Being away only confirmed what he already knew. And Qian is starting to realize that he loves Yuan too.

Yuan knows exactly where the boundary is between them, but he’ll let Qian be the one to break it down. They have complex relationship, and it is being respected, not rushed. Moments are earned, not pulled randomly from the trope bucket.

[adventures-in-mangaland]

Dead Boy Detectives Fic Recs Part 6

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Sorry its been a while, last month was crazy! Not too crazy for my emotional support fandom, though! You guys are giving me life. So please have another fic rec list. :)

We two boys together clinging by Aliquis

Charles and Edwin explore their romantic and sexual hangups and also help Crystal search for Niko. This fic has everything: excellent writing, developing relationship, rituals, first time, Beltane, a hot priest. This is already a fandom classic and now I've finally read it, I can confirm it's very good! Read the rest of the series too!

The stranger the better by ghostinthelibrary

Everyone's alive and basically the supernatural version of the Men in Black. I love the whole series, but this installment has the boys' first meeting, Edwin insisting he doesn't need a new partner, office gossip and an intriguing case. The prequel also has palasaki and background catwin! Anyway, I'm obsessed with this AU.

Partridge in a Pear Tree by Vamillepudding

Cinderella AU! Charles is basically a Disney Princess and Edwin is Secretly The Prince, it's wonderful. I also loved the worldbuilding and nods to old school Cinderella lore, like the gift-giving tree. So charming, highly recommended.

Wunderkammer by dear_monday, two_ravens

Edwin and Charles (and later Crystal) are functionally immortal and running a magical museum. This fic has a fantastic sense of place (the Athenaeum is a character in its own right) and an intriguingly gothic horror vibe with its sentient exhibits, doors into other planes and unnerving nonchalance about disappearing staff and guests. I would probably die, but I would absolutely go there.

pinch me (I don't want this to be a dream) by shadowquill17

The pince-nez fic! Charles finds a pair of glasses that show him a person's desires. Then he looks at Edwin. It goes about as well as you'd expect. It was inspired by this wonderful comic by technically-human so check that out too!

Let Me Follow by LikeMmmCookies

Time loop fic! The boys get trapped in Crystal's mind, replaying the day of Charles' death. Only Edwin is the New Boy in school and he's alive... Fantastic concept, so intriguing. Plus Crystal being a badass, The Sandman crossovers and Niko!

Oaths of the Forsworn by e_va

Vampire AU! The boys meet while Charles is dying so Vampire!Edwin agrees to turn him. The story is ongoing, but so far it's been focusing on Charles coping with being a fledgling vampire. Compelling.

lasciate ogne speranza, voi ch'intrate by KiaraSayre

Edwin is in Hell. Or is he? Fabulous writing, Hell worldbuilding and gut-wrenching detail. Cw for body horror and torture.

'Cause You Cut Through All the Noise by DontOffendTheBees

Edwin doms Charles in a therapeutic and non-sexual way. That's it and it's great. I loved this for its exploration of intimacy, trust and kink.

Instructions on Being by thewritingotter

Everyone is Alive Modern AU based on an AITA post featuring Charles convincing himself he's homophobic when he realizes he hates Edwin dating other men. It sounds like a funny premise, but really brings the angst and poignancy.

in an alternate timeline's light by plentyghost

Charles finds comics!Edwin hiding in the office. Sweet.

Become So Numb by snowkatze

AU where the Night Nurse doesn't help Charles and Edwin spends another 50 years in Hell. Loved Edwin's mechanism for escape, kind-of-dark Charles and the angsty reunion.

unidentified affectionate object by lyres

Edwin is struck by a curse that manifests his feelings as random objects. Good thing Charles isn't also effected... Very cute with mild angst and a happy ending.

between you and me, suddenly something is on my mind by lolotr

Beach episode! A proper one. Just fun, friendship and emotional support. Plus Edwin in an Edwardian swimming costume, complete with a handy visual aid.

Other Types of Intimacy by Asidian

After a tough case, Edwin takes care of Orb!Charles. (Chorb? Is this chorbwin?) I guess I have a thing for non-sexual intimacy. Seriously, though, what could be more beautiful than someone cuddling your soul?

(black is the colour) of my true love's hair by ObsessedWithFandom

Charles has long hair: the fic. Interesting ghost lore with Charles' hair kind of working like his mood-ring polo and growing when he's happy. And this is an established relationship payneland fic, so lately he's been very happy. 😜 Honestly, as a child of the 80s, Charles deserves to have long hair. I need more fanart!

@ghostinthelibrarywrites @shadowquill17 @tumblerislovetumblerislife @lolotr @technically-human @dont-offend-the-bees @neurodivergent-fangirling @fishy-lava @many-gay-magpies @cordelia-noir @whatthehorsedoicallthisblog @shazziez @extremely-eager-reader @atariakana @tragedy-machine @guardianspirits13 @colourmornings @herebehunters @dearheartdont @avoiceofnerat @littlepocketuniverse @overlord-of-chaos @fairandfatalasfair @handwrittenhello @every-moment-a-different-sound

I've added some tags for people who left fun tags/comments on previous lists. Let me know if you'd like me to add you on the next one. :)

[imakatperson22]

Ok. So. I’ve been thinking…

Everyone involved from Tim to Oliver to Ryan has stated that they want to do the characters justice and tell a story “true” to the characters. IMHO there really isn’t a better story for Buck and Eddie in terms of character growth than them getting together.

Eddie has been constantly searching for a new maternal figure for Christopher and possibly even someone to just play “wife” with him so he can fulfill this heteronormative expectation of a having a traditional family unit that stems from his religious upbringing and what was modeled by his own parents. His identity and self image is that he’s a “nester, he nests”. He needs somebody to love. The rub is that none of his attempts to make that happen have made him happy. Buck is the solution to this. Buck is already a part of the family. What Eddie so desperately searches for in all of his failed relationships is what he already has with Buck and that does make him happy. He just doesn’t realize it yet.

Buck on the other hand is the opposite. Through his upbringing and trauma with his family life, Buck has felt neglected and unloved for a long time. In the earlier seasons, this manifests as hyper sexuality and a need to create intimacy with whoever he can project it on to. It’s quick and dirty and it does the trick for a little but it’s not satisfying and fulfilling the way he wants it to be. Buck needs to be loved. And his solution is Eddie. Buck has that lasting affection and intimacy with Eddie, and I’m not speaking sexually. What’s more intimate than having a key to someone’s house and being their child’s coparent/godparent? Buck also has the belief that he’s expendable and Eddie is the one to help him out of this mindset by making Buck Chris’s guardian in the event of death, which helps give meaning and weight to Buck’s self esteem because now Buck has a reason for self preservation: Chris. Also, Eddie is incredibly patient and kind when it comes to Buck. After the tsunami, Eddie sets Buck straight when he’s beating himself up about losing Christopher. Instead of being angry he lost Chris or just neutral and saying “it was out of your control”, Eddie actively reassures Buck in a positive way. Buck gets what he needs from Eddie. He just doesn’t realize it yet.

I saw something floating around that was really interesting and that I agree with: Eddie knows he loves Buck but doesn’t know he’s queer, and Buck knows he’s queer but doesn’t know he loves Eddie.

Whether or not they intentionally wrote them this way, whether they’re going for just box checking representation or shock value or fan satisfaction, what have you, the reality is that the product they currently have is currently set up in a way for them to do one of the most beautiful, unique, compelling queer love stories we have ever seen on network television. And I really hope they lean in to that.

Thank you for coming to my TED Talk…

[sodasa-was-taken]

Why Suletta and Miorine's story is a romance: A Mobile Suite Gundam: The Witch from Mercury story structure analysis by Sodasa

So, I recently watched The Witch from Mercury, and I felt compelled to write an analysis of the show's use of the story structure of romances. I'm a hobbyist in the history of trends in genre fiction with a particular interest in romances. I thought it would be fun to use my area of expertise to talk about how the budding relationship between Miorine and Suletta is intertwined with the story of G-Witch.

Something particular about the romance genre is that, unlike other genres of fiction, it's mostly defined by its story structure. This means that just because a story is about two people getting together does not automatically make it a romance in the same way having magic in a story qualifies it as a fantasy. The flip side of this is that while you can't have a fantasy without fantastical elements, a romance can be put in any setting. As long as the story hits the required plot beats, it's still a romance. This makes Romance simultaneously one of the strictest and most versatile genres, as the plot can be anything as long as it ties into the main characters' developing relationship. Use this structure in a story about financial politics and mechs, and you get a story like The Witch from Mercury.

I think the show uses this structure very effectively. In my opinion, a great romance should, first and foremost, be an exploration of the part of the human condition where previous bad experiences make us reject intimacy. The romance story structure is designed to have the characters come face-to-face with their inner demons by giving them a reason to overcome them. Something that's a lot harder to pull off outside of romances, as not many things in life require us to overcome some of our deepest insecurities instead of just pushing them down.

G-Witch is a great show to use as an example of what makes a romance a romance as it follows the story structure almost to a tee, but it's also not the kind of story that most people usually think of when picturing a romance. I also believe that seeing the show through the lens of the romance structure leads to some juicy character psychoanalysis for Suletta and Miorine. I'll go over all the plot beats of a romance and explain how they apply to G-Witch and, if applicable, why I think you don't see those plot beats outside of romances. The names of the plot beats are taken from "Romancing the Beat: Story Structure for Romance Novels" by Gwen Hayes, which is also my primary source, along with my own extensive experience with the romance genre.

I hope someone gets something out of this. I have seen some excellent analyses and theories for this show, but they have been on things I don't know much about myself. Since the only part of story analysis I excel at is the structure of romances, I thought I'd lend my own area of expertise. I want to clarify that while I might sound matter-of-fact, this is just my opinion. I'm by no means saying that you have to think that G-Witch is a romance. I'm just arguing for why I personally consider it to be one.

[lulu2992]

Greg Bryk was in episode 25 of Podcast141, co-hosted by Marwen Heni, Mars Lipowski, and Jim Boeven, to talk about his acting career in general, but also and mostly his role as Joseph Seed in Far Cry 5.

Since he’s already shared a lot of anecdotes in interviews and live videos on Instagram, I thought I wouldn’t learn anything new... but I did, so here’s a summary of what he said about his experience playing the Father.

We knew that the dev team (he specifically mentioned Dan Hay and Drew Holmes) had struggled to find the “right” actor for the role, but what I don’t remember ever hearing before is that, after two years of unsuccessful search, the project was almost cancelled for this reason!

Thankfully, that was when Greg Bryk auditioned. He had already said the script they gave him (and that he thought was “amazing”) was what became Joseph’s monologue in the mission “We Must Be Strong”, but he gave more details about what was originally in it. In this early version of his backstory, Joseph was 23 years old and working two jobs to support his family. One night, exhausted, he fell asleep on the couch as his pregnant wife went out to get ice cream. He was then awoken by a knock on the door, told she had been in an accident, and taken to the hospital. The rest of the story is what he says in Far Cry 5: when he arrives, his wife is dead, their premature daughter is “stuffed with tubes”, he hears God’s calling, and understands he has to make this sacrifice.

So he got the role, and when they called him again to record a sermon (my guess is it was this one, but I’m just speculating), he saw what the game looked like and thought everything and everyone was “incredible”. Over time, as they got to know him, they even changed the character and partly rewrote the Father specifically for him.

The team was also very accommodating. For example, the scenes are usually shot in the huge performance capture studio, but for the Heralds’ eulogies, which are much more intimate, they built a small room so he felt like he actually had something around him instead of a big, empty space.

A day before the game came out, the cutscenes were already available online and he watched some of them. He was very impressed by the last eulogy (or, as he calls it, “snot monologue”) in particular because of how “vivid” and “human” it felt. It brought tears to his eyes and he recalls his wife was “blown away”; it was “special”.

As for the fans, he thinks they’ve been very supportive and welcoming. Some have told him they felt heard and seen by Joseph, and he believes it’s because he’s a character who loves people for who they are. At this point, he and the co-hosts agreed that being an actor was a gift because it gives an opportunity to make people’s lives better, especially in video games because there’s a unique connection that doesn’t really exist in movies or TV series.

Marwen Heni mentioned that, while most villains want you to hate them, Joseph, on the contrary, wanted you to reflect and think that he might be right. Greg Bryk admitted that he believed everything he said, especially about family and technology. Sometimes, people are isolated or only have online connections, so having someone tell them, “I see you and I love you for what you are” is powerful. In his opinion, this message resonated with a lot of players because it’s a simple truth and we all want to be part of a family.

Joseph doesn’t control his followers with fear, Marwen Heni commented, but with devotion, and that too makes him compelling. As he was playing Far Cry 5, he started questioning whether or not he (as the Deputy) was right for opposing the Father, which is something Greg Bryk says he saw a lot in comments. He believes there’s “an intimacy to the relationship” between Joseph and the player, a “seduction” in the sense that we all want to belong. He’s humbled by the impact his work had on people.

When asked if he would be open to reprising the role, this time, he answered, “Absolutely”. In fact, and this is news to me, he revealed there were discussions about turning Far Cry into a TV show, and the different games would have been standalone seasons. That said, he added that, at a certain point, it’s necessary to let characters go and that he was grateful for what he had already experienced playing the Father.

Marwen Heni then asked if Joseph, who is very complex, was entirely fictional or if it was Greg talking through him. He answered his characters are always him, to a degree, because he wants to connect with the material so he never lies and can work from things that matter to him. He never judges them and tries to think about what he wants to express through them. He’s interested in their humanity and what motivates them. “We’re all broken,” he said. “Some are much more broken than others, and sometimes those broken pieces are very sharp and jagged, and they lash out.”

He also revealed he had “very specific rituals” to help him become a character and then let them go. He mentioned a few prayers that one of his friends, who is a Wiccan, taught him. In fact, and all the co-hosts agreed, it can be very hard to “disconnect” from a character sometimes because actors aren’t just pretending; they’re using real emotions.

He had already said his son Dempsey had done the mocap for John and Jacob in the Collapse DLC and that he felt carrying Ethan’s body in New Dawn was a way for him to honor his “boy”, his dead dog Lucky, since he deeply regretted that he couldn’t be there to take him to the veterinarian the day he passed. What I didn’t know, however, is that it was Greg himself who had asked if Joseph could carry Ethan, and the team made it happen. He also explained that, when it was time to play this scene, he tried to imagine what it would be like to actually lose his son.

But who is Greg Bryk’s favorite Far Cry villain? Well, when he auditioned and started researching the franchise, he was interested in Vaas because of Michael Mando’s performance. He still doesn’t know him personally but has a friend who worked with him and who spoke about “how electrifying his talent was”. There’s something “unhinged” and “primal” to him as a performer; he’s a “wild” and “special” actor.

Finally, when told he was born to play Joseph, he confessed he felt he was indeed “called” to play this part but wants to give credit to Dan Hay, Drew Holmes, and Jean-Sébastien Décant for creating such a “terrifyingly human” antagonist in the first place.

[elihashadenough]

Pairing: max verstappen x male reader (could be read by masc presenting people)

Summary: sometimes things go right in the moment but will they always be right? can they survive through the hardships of love? can their love hold the test of a treacherous path of love?

a/n: part 4 is here, i just wanted to take a moment and just say thank you to everyone showing love to all of my fics and yeah i hope you enjoy it :)

-> do not repost, copy or translate my works nor post them anywhere else. Read at your own risk. Reblogs, likes and comments are always appreciated.

[series masterlist]

www.formula1news/redbulldriversinaromanticrelationship

Prepare yourselves for a revelation that could rock the foundations of the racing world. Fresh off yesterday's adrenaline-pumping race, an anonymous source has spilled the beans with compelling evidence, painting a scandalous picture of Redbull's rivalry duo. Forget podium celebrations; the two Redbull drivers weren't just celebrating their victories to an entirely unexpected level, engaging in intimate moments, sharing more than just victories. Brace yourselves, folks, because it appears the track rivalry has taken an unexpected turn into the realm of romance.

The whispers of the newfound romance between the two Redbull drivers are rippling through the media. Forget the professional facade; it seems that the thrill of victory has ignited a different kind of spark between the two Redbull racers. The photos and evidence speak volumes, capturing elusive moments that beg the question: are they more than just teammates?

In the cutthroat world of Formula 1, where rivalries are forged on the track, this off-track revelation is bound to send shockwaves. 'Friends' don't usually blur the lines between celebration and intimacy, and this newfound closeness could spell trouble for the Redbull team. With both star drivers romantically entangled, the impact on their on-track performance and the team dynamic is poised to be nothing short of sensational this season.

As the smokescreen of camaraderie lifts, the real question arises: will the on-track rivalry morph into a personal one? The last race already provided a glimpse into the friction between the drivers, and it seems the drama is just getting started. Will the asphalt become the stage for not only racing prowess but also a battleground for love and tension?

And let's not forget the intrigue surrounding Y/n, whose rumoured involvement with the Redbull driver were put to rest by his manager a couple seasons ago. One cannot help but think could this 'relationship' be the catalyst behind Y/n's abrupt shift from Ferrari to Redbull? The pieces of this scandalous puzzle are falling into place, unveiling a narrative that transcends the not so typical drama of the racing world.

Examining their career trajectories adds fuel to the fire. Y/n's journey began with a bang, securing P2 in his final Formula 2 race before joining McLaren in the 2016 season. After a brief stint, he spent seven years with Ferrari before the unexpected transfer to Redbull. Max, on the other hand, made his Formula 1 debut with Scuderia Toro Rosso in 2015, solidifying his place with Redbull in 2016 and staying put ever since.

The burning question remains: will this on-and-off track relationship sizzle into an exhilarating love story, or will it flame out in spectacular fashion? The impact on team dynamics and on-track relationships is poised to be monumental. Fasten your seatbelts, F1 fans – the next race might just be the battleground for love, rivalry, and everything in between. What are your predictions for this unprecedented twist in the Redbull saga? Share your thoughts as we watch this high-speed drama unfold on and off the track.

i haven't proof read this so if there were any mistakes, i'm sorry. But i hope you all enjoyed this, it took alot of effort and i'm very excited to post this. I hope you all have a wonderful day/night ❤️

tag list: @leosxrealm, @miloformula123fan

(you can send in an ask to be added to the tagging list)

[shinidamachu]

inukag was born to be shipped by me and I was born to ship inukag as well

For ages now I've been meaning to write about the reasons why I ship Inukag as fervently as I do and @inukag-week felt like the perfect opportunity to indulge myself, so here we go.

I want to start with how aesthetically pleasing they are. From their perfect size difference to the complimentary color scheme of their outfits plus contrasting hair and eye colors, Inuyasha and Kagome just look absolutely good together.

Their character design makes it clear from the get go that they're visually a great match. The association is so strong that the audience becomes unable to picture one without the other, as if they're two halves of the same item. Different, yet unequivocally a team, a pair.

Decades ago, they already had that classic quality to them and I bet they'd never get out of style even decades from now. And the rich lore that surrounds the pairing only adds to that aesthetic: the well, the tree, the beads, the robe, the sword, all of it enhances how iconic they are. Even something as ordinary as star gazing becomes uniquelly theirs.

Futhermore, I just absolutely love the entire concept of it. The subvertion of the fairy tale archetype, the idea of a love that transcends time, of soulmates who actually work on building their bond. Loving each other was both inevitable and a choice they made every single day.

Inuyasha and Kagome were just two teenagers from different worlds — literally and figurativelly — discovering together what love was. This made their relationship very compelling, because the excange between them is insanely substancial.

And their overall dynamic is so wholesome. There was a push and pull, a give and take, that made it fluid rather than static. Every single milestone felt organic and kept the audience thirsting for the next one.

Nothing felt forced or rushed. The slow burn was competently written to showcase their relationship being build on a very strong foundation, consistent in intimacy, mutual trust and acceptance — recurring themes for them and for the story — and so the stages of their bond had such a natural pace, it highlighted how genuine and healthy it was.

Consequently, there are so many aspects of their connection to explore. There's a never ending room for angst and for light hearted moments and you can adopt a more mature perspective or go for comical instead: they manage to be versatile without being generic and to embod the best clichés in fiction without becoming one themselves.

It's hard to think of a trope they couldn't pull off or an alternate universe that doesn't work for them. It gives the fandom plenty of freedom to be creative and to have the best time with it.

Plus, their chemistry was off charts. The romantic tension bleed through every single interaction. Their passion is so strong you could feel it even in scenes that had nothing to do with romance. And they didn't even need to kiss to achieve that level of synchrony.

They were also compatible. Inuyasha and Kagome balance each other quite nicely. Even in a relationship, they still keep their individualities and remain interesting both as characters and as a ship.

The very thing that dooms most pairings — opposite personalities — is precisely what keeps them together. Inuyasha and Kagome are completely different from each other, but they're actually extremely similar where it actually matters: their morals and goals.

And they longer they stay together, challenging one another, growing through trials and tribulations, inadvertently learning what each other's needs are and fulfilling them, easing each other's sorrows, covering each other's backs, saving each other's lives in every possible way, learning each other and learning with one another, the more their dichotomy turns into a duality, because they gain a more nuanced perspective of themselves, of each other and of the world.

It's a level of understanding, closeness and respect incredibly difficult to match. And for Inuyasha and Kagome, no one else even came close.

Another thing is that they're not just complementary to each other, but to the story itself. Their romance enhaces the overall plot. It has a structural placement in the wider narrative, strengthening its core themes and fulfilling the characters individual arcs, ultimately resulting in a more compelling journey.

So many romances are disposable to their own story, but Inukag was detrimental to theirs. Inuyasha and Kagome's interactions served as pivotal points of their respective arcs. Taking only the narrative into consideration, their relationship holds a lot of weight and greatly influenced everyone around it and it tied everything together.

That's why their happy ending felt so satisfying: it feels earned because everything went full cycle. All of that symbolism, all of those parallels paid off. Anything different from what we got would simply lack narrative and thematic cohesion.

And even if they didn't end up together, they could never be circumstancial. There was a real reason why they met, a reason why the fell in love and why they had ever lasting impacts on each other's lives regardless. It wasn't just love for love's sake.

This is what makes them, in my opinion, an epic ship.

BONUS: their soundtrack is lit and their quotes are simply legendary.

[grenade-maid]

there's a lot of reasons more people aren't into yuri that are troubling to consider, but equally, I genuinely think it cannot be understated how much of it comes down to most yuri being boring as hell. Like truly. I've been reading the front page of Dynasty Scans like it was the newspaper for 15 years I am not exaggerating I can show you the download file data 15 years.

You know what the complaint about yuri by yuri readers was back in 2009?

"wow that really was just 5 volumes of them blushing at each other and then they don't even kiss"

You know what the complaint about yuri by yuri readers is today in 2023?

"wow that really was just 5 volumes of them blushing at each other and then they don't even kiss"

Don't get me wrong, Yuri has grown a LOT in that time, to the point that most people today wouldn't even understand a Maria-sama reference if it were dropped in front of them (thank God). It's expanded and evolved to encompass more stories about adult women, wider varieties of scenarios, a greater acknowledgement of real life lesbianism, and is more comfortable showing girls kissing with tongue and having sex.

Yuri Manga is maybe the best is it's ever been, and it's also getting the widest readership it's ever had in the English speaking world. The titles we carry at work are always on back order with long queues, and, when I've asked them, most weebs of all gender or sexualities report keeping up with at least a few Yuri series.

At large though? Most of it is still really boring. That's not a bad thing necessarily. I like it because it goes down easy. For the most part any series you pick is gonna be pretty chill. Even shit from Sal Jiang which is PRETTY EDGY for yuri is a pretty breezy read. More serious ones like How Do We Relationship? cover some pretty real subjects about how intimacy is actually quite difficult even when both of you love each other, but it's not like... Exciting. Yuri isn't where you go to pump your fist or get perched on the edge of your seat.

So when the comparison is made to yaoi, well, I mean, have you READ any yaoi? Even in some of the more restrained titles those boys are likely to be sucking and fucking balls and all within the first volume or two. There's gonna be drama, intrigue, shit is gonna get messy, passions are gonna get heated, clothes are gonna be ripped off, people are gonna get sold to One Direction, it's stuff you can sit down with a bowl of popcorn with you know? Stuff you can message your friend and gush Hey Can You BELIEVE? A lot of it is pretty trashy, but that's the appeal. The generic state of yaoi is torrid and exciting and sexy. Ultimately, as a species many of us like to see pretty people fuck. In yaoi you'll get that. In yuri you won't. Nothing wrong with that, but it is gonna be a major contributing factor to their relative popularity.

It's also worth making the comparison to hetero romance manga, which has undergone a renaissance of it's own in recent years. There's now a whole meta around crafting a handful of mean shitty grouchy dysfunctional bully women and flinging them at the protagonist of the day who, unlike in years past, may actually have a face and personality. Most of these are also very trashy and truly scrape the bottom of the bucket in terms of writing.

AND YET?

I would bet money on the fact that you'll have heard of these women and probably even have a good idea what they're like without ever having touched a page of their manga.

I'm sorry but the straights are whipping donuts around the yuri girls in terms of delivering a wide variety of weird compelling fucked up women. How many yuri leading ladies by comparison can you point to as standout recognizable characters even divorced from their story? There's definitely a few, but not many. I'm not talking quality or depth of writing, I'm talking straight up pure recognizability. There are many beautifully written women in yuri, now more than ever. I can't think of many who'd like, get a figure made or have their face splashed on merch, though.

I don't really have a conclusion here. I love Yuri a lot, but at the end of the day this is just kinda the state of things right now.

[fallenrocket]

One thing I really love about the Ed/Stede relationship is how damn dynamic it is. I think part of the reason that people continue to gravitate towards non-canon queer pairings, even as LGBTQ representation is slowly increasing, is that a lot of canon queer pairings feature watered-down storytelling. Many stories still lean into "I've never felt this way about another man/woman before, I don't know if I can do this, what will people think?" as a main source of drama, and plenty of others don't really have drama at all, instead giving us blandly-pleasant background couples that don't have a lot going on. People ship non-canon pairings because they're exciting, meaty, and complex, the kind of romances they'd want to see onscreen. (And, well, fans are going to ship attractive characters with each other. It's what they do.)

Ed/Stede is fantastic because it has all the complexity and drama of a non-canon ship paired with explicit onscreen confirmation involving declarations of love and physical intimacy. Both characters are equally capable of bringing the drama and the hilarity, and they're magnetic together. I just love watching the dance they do over the course of the series. Instant connection! Maybe betrayal! Friendship that's hurtling toward more-than-friendship! Causing havoc on aristocratic party boats! Cuteness and fluff, anguish and near-death experiences! Issues with trust! Emotional arguments! Dramatic saves! Mermaid fantasies!

That's part of why it can be so stunning that this show is actually real. It's not just that the characters are queer. It's that this is entirely the sort of story that would be queerbait on most shows, gripping and compelling but with no intention of "going there." Throw in the casual queerness of so many of the other characters, and it just gets more and more mindbending. We might be inclined to ask what we did to deserve a show like this, but with every breath, the creatives/cast/crew are telling us that this is a show we've always deserved.

[lakesbian]

i was pondering some Thoughts about how people sometimes refer to worm as a "found family" story (& how this is sometimes mocked), how in-text alec explicitly says that the undersiders are the closest thing rachel has to family, how taylor tells them "you're my family, in a way," how the found family trope works in general, etc.

access to financial support, housing, medical care, And So On, is primarily attached to the institution of the family. the material necessities provided by membership to a nuclear family are why it's so common for people to reconcile with or keep in touch with family members they wouldn't if there was no material value attached to that relationship. the cultural prioritization of the nuclear family is how we get people offering "well, they're family" as an explanation for remaining associated with someone they wouldn't otherwise care about (or would even actively be trying to escape from, but this post is more about just Social Incompatibility in families than the outright abuse that the structure enables), with the expectation that the explanation is considered to make inherent sense.

aside from the found family trope demonstrating a lack of imagination about non-familial ways important relationships can take shape/demonstrating an inability to see relationships as truly important or deep unless they mimic the nuclear family, i think a lot of what appeals about the found family trope is a character dynamic that provides the same support, security, and undying love/depth of connection that the idealized nuclear family is purported to--and that does so as an escape from and superior replacement to the original blood family.

and what's interesting about the undersiders is that they're extremely not that. they're terrible at communicating. many of them don't get on with each other very well. they're oftentimes even actively shitty to each other: everyone but taylor towards rachel, brian towards alec (and aisha, but she's actually related to him), taylor towards alec and aisha. but there's still repeated in-text acknowledgement of a supposed familial dynamic between them! i think they're a "found family" in the sense that their group imitates the general role of the nuclear family--a small unit of people who (are supposed to) function as each other's fundamental supports in a world that, at large, does not care about any individual member, and who (are supposed to) do so regardless of any internal conflicts or lack of compatibility.

like, this is not a particularly articulate analysis of the nuclear family Whatsoever, but i don't think it's inaccurate to say that the compelling thing about the undersiders is that they are a "found family," but specifically in the sense that a lot of their dysfunctions are reminiscent of those found in typical, real-life familial bonds--people who wouldn't necessarily be getting along otherwise, or are even actively sorta bad for each other, forming very deep & intimate connections simply because they're materially forced to spend a lot of time together and have each others backs when there's no guarantee anyone else will.

for example: alec and aisha call taylor + brian 'team mom and dad' in a mocking manner not to indicate that they're kind/caring, but to indicate that they're being condescending micro-managing assholes...who aisha and alec are going to unquestionably listen to anyway, because they're a team, right? and you have to listen to your team leaders. i am onto an Observation here i think. deeply compelled by the idea of a ""found family"" where all of the similarities to an actual nuclear family are, despite being what drives the intimacy, also blatantly fucking dysfunctional